COMPOSITING IN AFTER EFFECTS

In the after effects project set up I overlaid the drawing onto the coloured image. On this I put a solid, and set the drawing as an Alpha Inverted Matte. Then, when I put a mask on the drawing, the

COMPOSITING IN AFTER EFFECTS

In the after effects project set up I overlaid the drawing onto the coloured image. On this I put a solid, and set the drawing as an Alpha Inverted Matte. Then, when I put a mask on the drawing, the

RENDER FRAME ANIMATION POSITION

TENTACLES BACK. I selected the joints that together made the correct movement and added them to a group. For the movement I wanted, all I need to do is move the group back and forward and key frame in conjunction

RENDER FRAME ANIMATION POSITION

TENTACLES BACK. I selected the joints that together made the correct movement and added them to a group. For the movement I wanted, all I need to do is move the group back and forward and key frame in conjunction

RENDER FRAME: ANIMATION POSITIONS

HEAD ROTATE Z. PICTURE HERE IS -20

RENDER FRAME: ANIMATION POSITIONS

HEAD ROTATE Z. PICTURE HERE IS -20

RENDER FRAME: ANIMATION POSITIONS

SQUASH DEFORMER ON BODY. RANGE FROM -5 TO 0. PICTURED HERE IS -5

RENDER FRAME: ANIMATION POSITIONS

SQUASH DEFORMER ON BODY. RANGE FROM -5 TO 0. PICTURED HERE IS -5

ANIMATION POSITIONS

NECK ROTATION 40 IN CHANNEL BOX

ANIMATION POSITIONS

NECK ROTATION 40 IN CHANNEL BOX

RENDER FRAME: ANIMATION POSITIONS

NECK ROTATION TAKES BODY BACK. This is -40 in the channel box.

RENDER FRAME: ANIMATION POSITIONS

NECK ROTATION TAKES BODY BACK. This is -40 in the channel box.